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apocalypseinsurance: Green, red, yellow, and black tomatoes arranged in a sink (Default)
Erin

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apocalypseinsurance: Green, red, yellow, and black tomatoes arranged in a sink (Default)
I've been making pottery at home for a couple months now. Setting up the wheel at home made a huge difference to my skill level. Before that, going maybe once a week to the studio in the summer, I could play but there's a lot I couldn't do. Not just in how long I had and how infrequently I could practice the skills of throwing, but also how I can now work on the thrown pots at specific stages in their drying. I used to hate trimming pots, for instance, but now that I can choose the moisture level I trim at it's so much easier. Adding handles becomes possible - they won't stick when the piece is too dry.

So I got to play around with lots of skills, and I'm slowly learning how to get the clay to do technical things. That's not why I do this, though.

Pots -- cups and bowls -- I made are now finished glazing. I can use them, and I make a point to do so. When they get home I put them in the dishwasher and then on the counter and I'll grab one anytime I need a mug or a bowl. I drink water out of them and tea; I heat up my leftovers in the microwave.

Finally these objects aren't an idea, but instead the interactive human tool that pottery has always been. I cup them in my hands, hot or cold, and press my lips against the rim. I balance them on a plate when carrying them around. I swirl a spoon around the inside and scrape out the last bits, or I stir and listen to the sound of the spoon tinkling against the thin layer of interior glass.

More often than you might think I stare into them and experience pleasure.

It's extraordinary and wonderful how we infuse the practical and necessary with joy. Decorating our environment goes back and back and back. It's part of us. And these mugs, these bowls, they are a search for what can bring me the most joy according to my personal aesthetic. I use them and marvel at the sandy red clay contrasting with smooth glossy green or blue or white glaze, at the way colours swirl and mix within that glaze, at the contrast of food and colour or, in one notable instance, the perfect match between my hot chocolate and the glaze of its mug.

But more than visual this is functional. Joy comes too from how each piece is fitting to its use, to my body, to what it's containing. It comes from the way a curve fits into my hand, and I learn when the curve is just a little bigger than I can thoughtlessly lift without the crutch of a handle, or when I grip a mug by the rim because there is no cooler handle to hold. I learn when a round belly shapes into a narrow neck and my hand sits there and enjoys extra texture or friction: snakes of smooth glaze against sandy raw clay or rough texture from tearing that clay up carefully with tools. I learn when a bowl with a flared rim can be easily held between two fingers, one on the foot and one on the rim, but one with an inward-curved rim feels like it needs to be cupped beneath.

I learn when a cup fits in my cup holder in the truck and when it doesn't. I appreciate the heat retention and capacity of a big flared belly on a mug, and the heat retention and easy sipping from a smaller mouth.

Just as with clothing something made by me for me is a wholly different experience than using something mass-produced. Function, aesthetics, and meaningful engagement of thought all suit me. I'm not sure I can describe what a difference that makes. Nothing is just an object anymore. It's an extension of my body and my mind, and also a point in an iterative process. There's tension in the ceramics community about art vs craft but the satisfying part of this for me is the craft, is making something suited both to a person and a use and getting better at that.

It doesn't hurt that I'm making things I see as beautiful.

I still haven't hit my goal of pulling a cylinder as tall as a big slurpee cup but I'm getting closer. I enjoy the general shape of a travel mug but with curves currently, and also small round egg-shaped ones with lips that fit into my hands.

The shape of bowl I love I've known for a long time and I'm getting better at executing it larger too.

I love making those things and so more useful things, perhaps, lids and cat food dishes and ramekins have been going unmade. Eventually I'll think of how to make them beautiful and they'll get made. Likewise when I'm scooping sugar or oatmeal or cat food, or when I'm sipping from a spoon, I feel the lack of intention in the items I'm using but I don't yet know how to make exactly the forms I want or even what exactly real function would look like in those situations. I've noticed a small heart bowl is a lovely scoop, thumb in the indentation on the top of the heart and fingers cradling the bottom and a pouring spout from the point at the far end.

I'm clearly engaged in this right now and I enjoy it. Now I need to figure out how to get rid of all these objects I'm making so I have room for more, hopefully I can trade them for money for more materials.
apocalypseinsurance: Green, red, yellow, and black tomatoes arranged in a sink (Default)
Seems like it's easier to write daily during the week, and when I'm at work. Makes sense. I'm lucky to have that spaciousness at work. It does mean I'm not going to the field, but my excuse is that a little fire showed up on the wildfire map across the road I was going to take into the bush today. We've had some rain, but fires have been moving very quickly and being out of contact along or past a road with a fire on it makes me twitchy. If it did blow up there'd be no way to let me know.

We have a safety system when we're in the field but it's missing the crucial component of being able to be contacted while I'm out there-- I can always call out but there's no agreement on, for instance, always running on a certain radio channel so they can get me.

The province lost another little community last night. It lost Lytton awhile back now, a train wheel against the track sparked a fire fight near the town, and it seems like within half an hour after the spark the town was gone. That was the day after Lytton had hit the "hottest spot in Canada ever" record two days in a row. Last night was Monte Creek, a little outlier town west of Kamloops. A big fire had been building in the mountain for days but a big wind drove it downhill, across the highway, and through the town.

A lot of the province is on fire.

Meanwhile I see damp grey clouds and patches of blue sky outside and it sprinkled rain twice yesterday. The apples are swelling and swelling; I keep the duck pools under them so they get several dozen gallons of water each per day, plus some fertilizer.

Tomatoes are starting to roll in.

The tomato trial has basically two parts: one is to gather information, and the other is to choose and collect seed from the ones that will continue on into next year.

Gathering information about plants and earliness is lovely. I walk along the rows, I count clusters of green tomatoes, I observe the plant growth form, I poke around looking for buried ripe fruit.

Continuation is more complicated. I'm still saving seed from everything that ripens, but. The panamorous row is a truly random collection of mixed wild and domestic genetics and it is producing a lot. What it produces is... fascinating. There are a couple cherry sized tomatoes, lots of saladette-ish size, and I just got my first beefsteak of the whole garden from that row (though Maya & Sion is coming right along behind, and maybe Taiga too).

Before I put seeds in to ferment, especially from the panamorous row, I taste the fruit. The panamorous tomatoes get sorted into A (tastes quite good), B (insipid, mealy, or has a weird acrid aftertaste that I associate with certain wild genes), and I have a tiny pile of Wow! Unfortunately the best panamorous tomato so far was densely fleshy with only 2 seeds. That might indicate an obligate outcrosser -- some of these have genes which prevent them from self-pollinating, so it's possible that ones with fewer seeds are obligate outcrossers which didn't get well-pollinated because our weird weather is hard on bees this year. It's possible that something else is going on. There certainly seem to be more seeds in the less tasty ones, sadly.

I'm keeping the B pile because any of these plants may themselves be hybrids so the offspring will be different than the parent, and/or they may have crossed with the garden tomatoes I planted in a ring around them. Any single one of those seeds may hold something amazing. And by increasing my seed supply in this way, and to this extent -- I'll have tens of thousands of seeds by the end of the year at minimum -- I can start hard selection for direct seeding and eventually self-seeding into an animal disturbance soil seedbank.

Basically-- I can plant lots and lots of seed and not too many plants will survive. The ones that survive will be the ones I want, and once I have enough survivors in that situation I can start tasting the first fruit of each and pull out the unpleasant ones so they don't contribute. Eventually, after a couple or a dozen years, I should have enough early tomatoes that I can pick some and others can drop to the ground and self-seed that way. As long as I keep removing the unpleasant ones there will be seed accumulated in the soil that will express itself over several years and the fruit should get tastier and tastier.

It's a multi-year project! There are a series of goals -- first, plants that ripen from transplants. Then, plants that ripen from seed. Then, plants that taste good. Then, plants that can seed themselves.

In the end the idea is to seedbank like this for many species. Bare land sprouts plants, it just does. If I can shift the seeds in the soil, it will mostly sprout plants that I want. Everything will sprout earlier than if I'd planted it after the soil warmed. There should be selection only for what doesn't sprout early enough that the cold kills it; I don't need to do anything for that to happen. This should allow me to get a really good early crop to work return out of the garden.

Gardening in this environment requires some knowledge; I need to have a good visual grasp of what all my desired plants look like when young. Then if I want an area to be only tomatoes, or only brassicae, I'll leave those sprouts there and weed everything else out. For warm crops, weeding everything else out might look like harvesting well-developed chard or lettuce or broccoli raab or lamb's quarters that started much earlier, leaving a patch somewhere to go to seed and replenish the soil seedbank.

Precisely what seed replenishing rotation looks like depends on how long a sufficiency of seed remains viable in the soil. We've mostly bred multi-year dormancy out of domestic crops without even trying; our seed is basically always saved from what we planted this year so it's a strong selection for most of the history of domestication. But. I bet you that with the quantities of seed that can be pumped into the soil when I let several lettuce plants go to seed (hundreds of thousands at least) or even tomatoes and tens of thousands, that it'll come along on its own.

So, yeah. I'm basically tasting a widening trickle of tomatoes and making decisions and occasionally wrinkling my nose or grinning. I'm walking a path that leads far into the future and may never arrive there. I'm using my sense of discernment and consequence. And I'm having a lot of fun.

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